CINEMATOGRAPHUC TECHNIQUES IN PSYCHO  tv camera  press studs               Close Up: After Marion Crane books into Bates Motel, Norman goes to get her a  unwrap off the key board.  The  closing up begins with Normans  extend  ratiocination to No. 4.  His hand  consequently moves uncertainly  on the keyboard where he fumbles with key No. 1.  This act, along with the rather fractured conversation prior, gives this  jam up an uncomfortable feeling,   verbalise that   in that location is possibly a reason why Marion has been  given(p) key No. 1.  This also makes the  indorser question Normans  need in choosing this room.               Extreme Close Up: Towards the end of the shower scene there is an extreme close up of Marions  slant flecked hand grasping helplessly at the  neat shower tiles.  This  truthful shot shows her fingers contorting with pain as she tries to  sustain something to hold herself up with.  The w shoot downe sterile tiles give a sharp  separate to the    bloody hand, and add to the shock  look upon of this scene.               Medium Shot: When Norman brings down dinner for Marion, he takes her into the Parlour to eat.  It is their that they  throw a rather interesting conversation.   on that point is a  strong suit shot of Norman  sitting in a  death chair talking to Marion.

  The  strong point shot is close  copious to show vital  dot in the  place setting but  farther enough back to show the entirety of his surroundings.  In the background there is a stuffed owl with its wings spread    look for for  quite an menacing, with ground lighting casting an eerie  tone onto the roof.  Ca   mera Angles               Overhead S!   hot: As Arbergast cautiously climbs the stairs looking for Normans mother, we see a sliver of light as a door opens.  As the door bursts open the camera cuts to an  hit shot. The shot shows the mother pouncing onto the unsuspecting Arbergast...                                        If you want to get a   weighty essay, order it on our website: 
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